Start from a script
Import a screenplay or build one in the Writers' Room. The cast, locations, props and wardrobe are extracted and become reusable @references.
Kling AI alternative
A Kling AI alternative that still lets you use Kling
Kling AI is a video and image generation platform built around its own Kling models, with a creative studio and an API. ShowMaker Studio does not make its own video model. It is a drama production pipeline, and Kling is one of the video models you can pick inside it, shot by shot, alongside Seedance, Wan, Veo and MiniMax.
How it works01 02 03
Three steps in ShowMaker.
Plan the shots
Break each scene into shots with sizes and camera moves, generate stills, voice the dialogue, and watch a free narrated animatic of the episode.
Pick Kling where it fits
Choose the video model per shot. Use Kling for the shots you like it on, and cheaper models for wides and cutaways, so B-roll doesn't cost hero-shot prices.
Side by side
Kling AI vs ShowMaker Studio
| Kling AI | ShowMaker Studio | |
|---|---|---|
| What it is | A video and image generation platform built around Kling's own models | A scripted drama pipeline that uses several video models, Kling included |
| Using Kling's model | Directly, on Kling's own platform | Available per shot, next to other models |
| Story and script | Workspace tools for scripting and storyboarding | Writers' Room, Drama Builder, Import Script and a screenplay editor with a Script Assistant |
| Cast across episodes | See Kling's site for its reference tools | Character sheets, wardrobe and fixed voices shared by every episode of a series |
| Voices | Synchronized audio with video, per Kling's site | A voice per character, delivery tags, lip-synced dialogue via native audio |
| Preview before video | Depends on your workflow | Free narrated animatic of the whole episode |
What Kling AI is built for
Kling AI is a generative video and image platform. Its site centers on its own video and image models, offered through a creative studio, an API and agent tools, including a node-based Canvas workspace for scripting, storyboarding and editing. People choose it for the output of its models.
If what you need is high-quality clips from Kling's models, going direct is a sensible choice.
Kling's models are also offered on other platforms, ShowMaker included. But a model is only one part of making a drama. It still needs a script, a cast that looks the same in every shot, voices, an edit and somewhere to keep all of it between episodes.
What ShowMaker is built for
ShowMaker Studio is built around a story rather than a model. A project holds a screenplay, a cast with character sheets, wardrobe and fixed voices, and locations with reference stills. Every shot cites those as @slugs, so the same face, room and prop are sent to the model each time. In a series, every episode shares the same cast and assets.
Because the pipeline is model-agnostic, you don't have to choose one model for a whole film. A dialogue close-up can go to one model, a wide establishing shot to a cheaper one, and a multishot panel can cover several shots of a scene in one take, cut on dialogue.
- Kling, Seedance 2.0, Wan 3.0, Veo 3.1 and MiniMax available per shot
- Voices for every character, including designed voices from a written description
- Checks on every shot, like a line too long for the shot's length
- Editor with captions, B-roll, score and export or publishing
How to decide
You don't have to choose one or the other. If you're committed to Kling's models and want their newest features first, use Kling directly. If you're producing scripted episodes and want the script, cast, voices, animatic and edit in one place, use ShowMaker and choose Kling on the shots where it is worth the cost.
Many drama makers end up mixing models anyway. The hard part of a series is keeping things the same across dozens of shots. That depends more on the references each shot sends than on the model.
Kling renders the shot. ShowMaker prepares what goes into it. The script line, the character sheet, the outfit, the location still and the voice are attached before the render, so the model gets the same inputs whether it's the first episode or the twentieth. And because the stills, voices and animatic are approved before video, you spend fewer renders finding out a shot was wrong.
When Kling AI is the better pick
- You want Kling's newest models and features the day they launch.
- You only need clips or images and don't need a script, cast or edit around them.
- You're building on Kling's API or agent tools directly.
Questions
What people ask first.
Can I use Kling inside ShowMaker?
Yes. Kling is one of the video models you can choose per shot in ShowMaker, alongside Seedance 2.0, Wan 3.0, Google Veo 3.1 and MiniMax.
Why use ShowMaker instead of Kling directly?
If you're making scripted drama, ShowMaker holds the parts around the model: the screenplay, the cast's identity stills and voices, the storyboard, a free animatic and the edit. Each shot sends the same character and location references, so the cast stays consistent across scenes and episodes.
Do I pay Kling separately?
No. Renders inside ShowMaker are paid in ShowMaker credits. There's a free plan with 200 credits and no card, and paid plans start at $19 a month.
Can I mix Kling with other models in one episode?
Yes. The model is chosen per shot, so you can use a premium model for dialogue close-ups and a cheaper one for wides and cutaways in the same episode.
Keep reading
Your first episode
is on us.
Start free with 200 credits: a narrated film from AI stills, no credit card.